Products related to Cinema:
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Fashion and Environmental Sustainability : Entrepreneurship, Innovation and Technology
The wide range of topics that the book covers are organised into sections reflecting a cradle to grave view of how entrepreneurial, innovative, and tech-savvy approaches can advance environmental sustainability in the fashion sector.These sections include: sustainable materials; innovation in design, range planning and product development; sustainable innovations in fashion supply chains; sustainable innovations in fashion retail and marketing; sustainable alternatives for end-of-life and circular economy initiatives; and more sustainable alternative fashion business models.
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Cinema of Discontent : Representations of Japan's High-Speed Growth
From the mid-1950s to the mid-1970s, Japan experienced an unprecedented level of economic growth, transforming itself from a war-devastated country to a global economic power.Our image of postwar Japan has been shaped by this event, and we tend to see its history as a story of great national success.Cinema of Discontent challenges this view and details the tensions generated by massive and intense capitalist development through analyses of popular cinema produced during the era of high-speed growth.The films discussed in this book, directed by Kawashima Yuzo, Masumura Yasuzo, Inoue Akira, Ezaki Mio, and Kumashiro Tatsumi, attracted broad audiences yet remain understudied.Cinema of Discontent contextualizes these films in relation to the politics, economy, intellectual discourse, and cultural texts of the time.By doing so, it demonstrates how these films address problems immanent to Japan's postwar capitalism, including uneven development, increasing corporate control over individuals, precarious and contingent work, and militarized peace and prosperity.
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Cinema
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People Planet Profit : How to Embrace Sustainability for Innovation and Business Growth
Social and environmental issues are more important than ever and consumers are committed to supporting change. 'Doing good' is no longer a peripheral activity but fundamental to every aspect of how we do business, every day, for everyone. People, Planet, Profit is the first book to truly address business growth in the context of social and environmental concerns.It's a practical guide to new business opportunity, operational improvement and competitive advantage.Full of inspiring case studies, it looks at the challenges faced by key players such as Google, Microsoft, Apple, Nokia, Nike, Amazon, M&S and Walmart.With plenty of comments from industry insiders, it's essential reading for CEOs and business managers who are searching for new ways to create value, to make sense of business in a rapidly shifting landscape, and to deliver profitable growth whilst also doing "the right thing".
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How much does the technology in the cinema cost and what other questions are there about the cinema?
The cost of technology in a cinema can vary widely depending on the size of the theater, the quality of the equipment, and the specific technology being used. This can range from a few thousand dollars for basic audio and visual equipment to millions of dollars for state-of-the-art digital projection and sound systems. Other questions about the cinema may include inquiries about the types of movies being shown, the availability of concessions, the comfort of the seating, and the accessibility of the theater. Additionally, questions about the cleanliness and maintenance of the facilities, the availability of 3D or IMAX technology, and the overall experience of attending a movie at the cinema may also arise.
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'DDR Film Cinema'
DDR Film Cinema refers to the film industry in East Germany during the time when the country was known as the German Democratic Republic (GDR). The GDR had its own state-run film production company, DEFA, which produced a wide range of films including feature films, documentaries, and children's films. DDR Film Cinema was heavily influenced by the socialist ideology of the GDR government, and many films produced during this time promoted socialist values and ideals. Despite the political constraints placed on filmmakers by the government, DDR Film Cinema produced a number of critically acclaimed films that are still celebrated today for their artistic merit and unique perspective on life in East Germany.
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Do you prefer a full cinema or an empty cinema?
I prefer a full cinema because the energy and excitement of a crowd can enhance the movie-watching experience. The laughter, gasps, and reactions of other audience members can make the movie feel more immersive and enjoyable. Additionally, a full cinema can create a sense of community and shared experience that adds to the overall enjoyment of the film.
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Am I going to the cinema or driving to the cinema?
It depends on your preference and circumstances. If you enjoy the experience of watching a movie on the big screen and being in a cinema environment, then you may choose to go to the cinema. However, if you prefer the convenience of watching a movie from the comfort of your own car or if you want to maintain social distancing, then you may choose to drive to a drive-in cinema instead. Ultimately, the decision between going to the cinema or driving to the cinema depends on your personal preferences and the current situation.
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Third Cinema, World Cinema and Marxism
Third Cinema, World Cinema and Marxism offers an analysis of Third Cinema and World Cinema from the perspective of Marxism.Its starting point is an observation that of all cinematic phenomena none is as intimately related to Marxism as Third Cinema, which decries neoliberalism, the capitalist system, and the Hollywood model of cinema as mere entertainment to make money.This is largely to do with the fact that both Marxism and Third Cinema are preoccupied with inequalities resulting from capital accumulation, of which colonialism is the most extreme manifestation.Third Cinema also defines cinematic modes in terms of representing interest of different classes, with First Cinema expressing imperialist, capitalist, bourgeois ideas, Second Cinema the aspirations of the middle stratum, the petit bourgeoisie and Third Cinema is a democratic, popular cinema.
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A History of Italian Cinema : Cinema Paradiso?
This book provides a complete description of the development of Italian film and cinema from its beginnings in 1895 until today.Special emphasis is placed on those periods in which Italian film history became aesthetically decisive for world cinematography: silent film of the 1910s, neorealism after World War II, and auteur and genre cinema around 1960. And then on the multifaceted development up to the present day, which still guarantees films from Italy a significant place in international cinema.The chapters are introduced with compact descriptions of Italy's political and social history and the institutional formation of film and cinema.This is the basis for the extensive examination of genres and films.The film analyses also include a look at the reception by the audiences.
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Women's Cinema, World Cinema : Projecting Contemporary Feminisms
In Women’s Cinema, World Cinema, Patricia White explores the dynamic intersection of feminism and film in the twenty-first century by highlighting the work of a new generation of women directors from around the world: Samira and Hana Makhmalbaf, Nadine Labaki, Zero Chou, Jasmila Zbanic, and Claudia Llosa, among others.The emergence of a globalized network of film festivals has enabled these young directors to make and circulate films that are changing the aesthetics and politics of art house cinema and challenging feminist genealogies.Extending formal analysis to the production and reception contexts of a variety of feature films, White explores how women filmmakers are both implicated in and critique gendered concepts of authorship, taste, genre, national identity, and human rights.Women’s Cinema, World Cinema revitalizes feminist film studies as it argues for an alternative vision of global media culture.
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Cinema Imaginaire
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Should I go to the IMAX cinema or the regular cinema?
It ultimately depends on your preferences and what you are looking for in a movie-watching experience. IMAX cinemas offer a larger screen, enhanced sound quality, and a more immersive experience, making them ideal for big-budget blockbusters or visually stunning films. On the other hand, regular cinemas are more budget-friendly and may be more suitable for casual moviegoers or smaller, dialogue-driven films. Consider what kind of movie you are planning to watch and how important the viewing experience is to you before making a decision.
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Do you buy snacks before the cinema or at the cinema?
I usually buy snacks before going to the cinema. I find that purchasing snacks at the cinema can be quite expensive, so I prefer to buy them beforehand and bring them with me. This way, I can also choose my favorite snacks and have a wider variety to choose from.
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How much does the cinema ticket cost in your favorite cinema?
The cinema ticket at my favorite cinema typically costs around $12 for a regular adult ticket. However, they also offer discounts for students, seniors, and children. Additionally, they have special pricing for matinee showings and discounted tickets on certain days of the week. Overall, the ticket prices are reasonable and there are various options for saving money on admission.
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What is the reason for the poor video quality in the cinema?
The poor video quality in the cinema can be attributed to various factors such as outdated projection equipment, improper calibration of the projectors, low resolution files, or poor maintenance of the equipment. Additionally, issues like poor lighting conditions, improper screen size, or lack of proper sound systems can also contribute to a subpar viewing experience. It is essential for cinemas to regularly upgrade their equipment and ensure proper maintenance to provide audiences with a high-quality viewing experience.
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